A group of friends in Sao Paulo see each other regularly in different venues of this huge metropolis, and act as their own de-facto family. They are similar in many ways, all upper middle class professionals between 28 and 32 years of age, and very conscious of their psyche and lives. The diversity within the group however, is also remarkable. It's made up about half men and half women. The men are the most diverse, ranging from your average guy looking for love to an Afro-Brazilian womanizing rich playboy, to a conflicted homosexual, heir to a business empire. It is the friendship (Amizade) and bond between these people that the film exposes, and at the same time it explores the different personalities of this apparently homogeneous, but actually psychologically diverse group of Sao Paulo yuppies. They stick together "'til friendship should ever separate them"

Alejandra and Rafael come from completely different worlds, but a life-changing accident brings them together. A massive debt forces them to stay close, sparking a relationship full of tension, passion, and unexpected emotions. Between jealousy, heartbreak, and fate’s twists, their story takes unpredictable turns that will test their connection.

Hasta Que el Dinero Nos Separe is a telenovela produced by Emilio Larrosa. It is a remake of the Colombian soap opera Hasta Que la Plata Nos Separe. Hasta Que el Dinero Nos Separe stars Itatí Cantoral, Pedro Fernández, Victor Noriega, Luz Elena González and Joana Benedek. The telenovela made its debut on June 29, 2009 at 8 pm in Mexico's Canal de las Estrellas, in HD in some markets, and January 18, 2010 at 8/7 pm USA's Univision, starting on April 26, 2010, it aired from 8 pm est to 10 pm est in HD in some markets, until June 1, 2010, when Soy Tu Dueña premiered on Univision at 9pm, thus returning the novela back to its former one hour airing time. On February 16, 2010 Hasta Que El dinero nos separe premiered on internet TV's bsn Latino."The Best Telenovela of the Year 2010."

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Otto and his brother Nacho start fighting on the streets to make money. While Nacho fails as a professional boxer, Otto becomes a world champion. Their relationship starts to deteriorate when Otto falls in love with Diana, a model. But Nacho blames Diana for distracting his brother and so, he decides to destroy their relationship at any cost.

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A man loses his job an his girlfriend, but he really wants to start dating his best friend.

The excitement and disappointment seem to be the emotional state that has marked Chile’s political history over the last 50 years. Illusions that arise and quickly vanish, lead me to review images of our history wondering how can we remain dreaming about the life that will come.

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